Please listen first.
You will be able to play like this.
I will continue to aim here.
Practice 1 to Practice 10
There is up to
One “Practice” per day is fine,
If you think "it was done"
Steadily
You can go ahead.
But the next day, from the chapter that was finished the day before
Even more effective once you start.
Target
Practice 2
Cymbal sound from right side
The sound of stepping on the hi-hat
You can hear from the left side.
To match the sound without holding the stick
With the cymbal sound heard to the right with your right hand
Hit the thigh of the right foot together.
Place your heel on the ground with your
left foot,
Raise your toes on the first beat and step on the second.
Raise your toes on the 3rd beat and step on the 4th beat
Let's do it.
The first goal was on tempo of 148 bpm.
This means there are 148 ♩ per minute.
Practice2 is 100bpm.
Feeling on the thigh and fingertips when hitting the thigh with your hand
The sensation is exactly what you hear
Strike them so that they overlap.
Also on the left foot, the feeling of stepping on and the sound heard by the ear should overlap
Feel one note and one note while stepping on.
Also be aware that the movement of the left foot overlaps the second and fourth beats of
the right hand.
The phrase I'm playing is actually
Only one bar.
129 times until the end of the song
I repeat.
タイミングに集中します。
Practice 3
Understand Swing
Swing jazz ~ 4 beat jazz
Divide a quarter note into 3 parts, and feel 1 bar divided into 3 x 4 = 12.
While listening to the bass and piano,
Alternately hit the thighs with both hands to give a sense of swing
Please feel
It has strengths, but if you can't hit it, don't worry now.
"Swing" is
Body left on the first beat of a quarter note
It feels like swinging to the right and a pendulum on the second beat.
Can you feel the body swaying left and right again on the 3rd and 4th beats?
This feeling is expressed as "swinging".
Here, to "feel the swing"
Let's concentrate.
The left foot overlaps the left hand of the second beat of the quarter note.
Calm down and your left foot at the same timing as your left hand
Please be aware that.
By being conscious like this
Hurry up before any other instrument
You can avoid (running in musical terms).
When carefully address this,
There are also places where the base and hand have the same timing
You will feel something.
Next time again
◆ Return to Practice 2 -Starting with your right hand and left foot- and feel the quarter notes.
Then proceed to the next “Practice 4”.
Swingと3拍子の関係を身体で感じてください。
Practice 4
Cymbal legato
Practice at four different tempos.
Start with the slowest "100 bpm".
Don't rush and make sure that your left foot has the same timing as your left hand.
Be aware.
The most important thing about Swing Jazz is
Step on a hi-hat with a cymbal legato and back beat
This part.
On the back beat (which means the second and fourth beat of a quarter note)
It may take some time to get used to stepping on your left foot.
In the beginning, even if it sometimes slips
Don't regret it.
If you do it slowly, you will surely become familiar.
The left foot overlaps the right hand of the second beat of the quarter note.
Calm down and your left foot at the same timing as your right hand
Please be aware that.
By being conscious like this
Hurry up before any other instrument
You can avoid (running in musical terms).
It is to practice with the stick from here
Is the best.
The first person to use the stick
Please refer to the.
Further details on how to use the stick Video
"Traditional Grip Basic" and "Matched Grip" the
If you look at it, the understanding will deepen.
We promise that it will be useful to experienced people. "Traditional Grip Advance" became more skilled
Effective for understanding fingering .
裏を左足で踏む感じを 身体に落とし込みましょう。
How to build cymbal legato
-How to make cymbal legato-
Practice 4 has three legato phrases [1], [2], and [3] in units of measures.
The legato cymbal is used with bass and piano
It can also be called "conversation".
Not just the tempo
It is the answer with the bass and the piano.
Let's try it with 2 quarter notes.
[A] / [B] / [C] / [D]
Only these four.
If you combine two of these
It will be 1 bar ~ 4 beats ~.
You listen to the bass and piano and combine these four types to talk with the bass and piano.
レガートのフレーズが 自由に組み合わせられることが大切です。
Practice 5
Left hand to snare drum
Snares accelerate progress
It acts like a matchmaking hand.
On the last beat of the triplet to play the instruments around
In many cases, they will enter to react.
Unlike rock, it is not decided that there will be measures for each.
It is for the purpose of supporting the progression of the song.
By entering the third of the eighth beat triplet on the fourth beat
The "bar" of the next bar is emphasized.
Therefore, in the 4th bar of the 4th bar unit
The 8th, 3rd, and 3rd of the 4th beat tends to be the last of the phrase, so
This position is often seen.
他の楽器と呼応する感じです。
How to build
~ Where to put the snare ~
By entering the third of the eighth beat triplet on the fourth beat
The "bar" of the next bar is emphasized.
Therefore, in the 4th bar of the 4th bar unit
4th beat 8 minutes 3rd 3rd at the end of the phrase
This position is often seen because it tends to be.
1拍を3連符で感じましょう。
～ Single & Double Stroke ～
◆ Double stroke
It will start at bar 20 and bar 28.
Single stroke is one stroke with one hand.
Double stroke is two strokes with one hand.
"Tap" single stroke in English
Double stroke is called "diddle"
Let's remember.
You can create various phrases by combining single and double.
This is called "Para diddle".
To hit the floor tom on the right side,
In the procedure, I also use the scene to adjust the procedure, such as inserting a double to hit the left hand with the right hand. This is a very important technique.
徹底して身につけましょう。
Standard 40 American Drum Rudiments
-Stick control training-
Called rudiment
The basic technique for hitting a snare drum-phrase-is defined in the field of marching drums.
An organization called “The Percussive Arts Society”
40 Rudiments and drums
We are working to enhance percussion technology.
To increase stick control
It is a very effective practice tool.
there is.
Please take a look.
1曲叩けるようになってからで大丈夫！
Practice 6
Double stroke
The feeling of hitting the second consecutive fingering
I wear it.
You can feel the response slowly and slowly
Let's go up to
At "142 bpm" you may feel strict.
First, according to the speed of "1 bar"
It is possible.
"Bass" is playing a quarter note. Firmly "Bass"
Let's listen and match.
In Practice 6, what you actually hit is
Two beats and a half bar.
Whether with your right hand or your left hand, hurry with a second shot
It is common to plunge into it.
Like picking red beans with chopsticks and placing them on a candle
A delicate sense of time
Stable stick control is possible if you feel it when you hit the second shot.
Unexpected time has a wide range.
First, let's aim to be able to do "1 bar" firmly according to the speed.
ポイントはフィンガリング～指でスティックを押し出す～ しっかり身につけましょう！
Practice 7
Check again in the song ~ Practice 5
Go back to Practice 5 again
The feeling of double strokes in the song
Please drop it into your body.
A feeling of overlapping with the base
Be conscious,
Feel the song without panic
Let's hit it.
ダブルストロークの2打目を急がないように。 鉄則です。
Practice 8
Right foot to bass drum
It will be Where are the bass drum.
Just like snare drums, we will put them everywhere for the purpose of making the song livelier.
For example, the 1st beat of the 13th measure is due to the composition of the music- [A melody], [B melody], [rust], etc.-
It is the first beat of the first measure of the block.
This is where I often put in because it makes the progress of the song easier to understand.
To emphasize the first beat,
It is effective to continue from the last beat of the previous measure to the 4th beat (from the 16th to 17th measures) to the first beat of the next measure.
If you play it softly, like 22 bars
You can use it in the middle instead of at the break of the configuration
It is possible.
At first, it's a good idea to link your right hand.
In other words, in the position where the right hand hits
You can stack them.
最初は踵をつけて始めましょう。
Practice 9
Crash cymbal
Crash cymbal
"Set the song structure by dividing the flow
Make it easy to understand
There is a purpose.
Therefore, it is possible to put in the head of each block
There are many.
If you put in too much, it will be noisy, so please devise it according to your sensitivity.
Next is the final section.
シンバルの入れ方は自由に考えて大丈夫です。
Practice 10
Play your own
That I was able to do it
Try putting it in a different position than when training.
Let's start from there and play!
Always listen to the bass,
The timing of my performance is on the bass
I can feel that I am riding
It's important.
Next time I ’m going to do this
Even if you wonder what to eat, don't miss the timing
This is the point to cherish at the beginning, which slows down and puts you more than enough into your body.
The fine technique is good after that.
After playing the song, there is a need for technology
You can understand.
The "Jazz drum club" program is
The performance phrases and techniques necessary for the song to be played
Learn naturally as you play along with the song
Is made. Both technical and musical
Get on in the shortest time.
Get your own music world.
自由に試してみる。