Please listen first.
You will be able to play like this.
I will continue to aim here.
Practice 1 to Practice 5
There is up to
One “Practice” per day is fine,
If you think "it was done"
Steadily
You can go ahead.
But the next day, from the chapter that was finished
the day before
Even more effective once you start.
Target
Practice 1
Right hand-Hi Hat
Play the hi-hat with your right hand.
First, because the hi-hat is closed
Left foot with toes on the floor
-Hold the hi-hat pedal and hold.
Divide one quarter note into three
Strike an eighth note 3 + 3 + 3 + 3
12 times in one bar.
8 beats are divided into two quarter notes
It is called 8 beats with 8 eighth notes in one bar.
However, in this case, it is commonly called
"Six-eight"
Is called.
"Six-eight" songs are other than blues
"The House of the Rising Sun"
"End of the world"
“As Long as I Have You”
Seen in rock ballads.
The feeling of playing with the bass and piano
Feel the overlapping sounds.
I'm hitting on the bass and piano
Right hand (high hat)
To feel like they're overlapping
Until it feels like it's integrated with the performance
Focus on timing,
Try adjusting it.
So that your shoulders and arms have no strength
"Weakness"
Please keep in mind.
52bpm to grasp the relationship with the surroundings,
You will hit the body firmly with each stroke.
Practice 2
Right hand-Hi Hat, right foot-Bass Drum
Left hand-Snare Drum
When your right hand feels good,
Add your left hand (snare) and
right foot (bass drum)
First, strike the right foot (bass drum) and
right hand (high hat) while looking at the score.
The timing of the right foot completely overlaps with the right hand. Let's do it with the right foot on the right hand.
Next, the left hand (snare) is put in,
but the left hand also overlaps with
the timing of the right hand.
You can try your right and left hands before putting your right foot in.
The timing of all right feet overlaps with that of the right hand.
Let's match it to the right hand.
The feeling of playing with the bass and piano
Feel the overlapping sounds.
It's important to get things right at 52 bpm.
If you get used to it, do not look at the score. Don't worry if the right foot is in a different place.
It's important to be in time with your right hand.
So that your shoulders and arms have no strength
"Weakness"
Please keep in mind.
To play the drums
You don't have to put pressure on your shoulders
Stick your elbows, wrists and fingers
Control
The dynamic stick control
You control the stick with your fingers
It is called fingering.
Video Lesson
"Traditional Grip Advance"
See.
◆ How to step on the right foot (bass drum)
Watch the Video The instructor is Mr. Peter Erskine who is active in "Weather Report".
"Heel Down" to attach the heel to the pedal and
"Heel Up" to raise the heel.
It is better to put it on the pedal to stabilize your foot, and weak beats are difficult unless it is here.
On the other hand, for strong beats, it is better to raise the heel,
and it is easier to control when raising the heel even when stepping on quickly .
When you don't step on, put your heel on the pedal
It is better to step on both in combination. ]
I am talking about that.
Let's start with "Heel Down",
where the heel is attached to the pedal.
It is okay to work on "Heel Up" after strengthening your legs.
Practice 3
Right hand-Hi Hat, right foot-Bass Drum
Left hand-Snare Drum
Bass drum is stepped on during triplet.
The syncopation phrase is a song by 6/8.
It is a phrase that is often seen.
It is used partially in the song like the 20th measure.
This is because the right foot alternates between the right hand and the right hand, and it seems that the right hand and the right foot alternate.
In order to master this, You got a sense in the [B] part,
Let's be able to process in the song in the [A] part.
The right hand keeps moving at the same speed
all the time.
The point is to focus your attention on your right hand so that you do not get caught in your right foot.
Practice 4
Right hand ~ Crash Cymbals . , Hi Hat, Tom,
Right foot-Bass Drum,
left hand-Snare Drum, Tom
Utilizing syncopation
It is a comprehensive approach.
詳細を入力してください
When the body remembers over and over again
You can freely use syncopation
You will be able to play like speaking a word.
On Led Zeppelin's Live album
"Since I've been loving you" is very helpful.
Practice4
Standard 40 American Drum Rudiments
-Stick control training-
Called rudiment
The basic technique for playing a snare drum-phrase-is defined in the field of marching drums.
An organization called
“The Percussive Arts Society”
40 Rudiments and drums
We are working to enhance percussion technology.
To increase stick control
It is a very effective practice tool.
there is.
Please take a look.
1曲叩けるようになってからで大丈夫！
Practice 5
At the end, there is no drum sound and
no clicks. But of course, there are no clicks
in the actual performance. Listen to the sounds of the people you play with
To play.
Focus on the piano steps and listen to the bass.
The melody only needs to be a confirmation of the progress and will come into the ears casually.
Practice 5
The most important training in performance is
to "listen to the surrounding sounds and perform."
It is the word of many great players that playing is listening.
Most of the sounds You make are less than 20%
80% and 90% are good performances and players that they are listening to the sound of the other party.
At first it's a pity, so when you do Practice 5
It's more difficult than playing with people because You can't see actually playing.
But that's why it's training.
Please challenge and enjoy again and again.
